Review of Cheryl Cowdy, Canadian Suburban: Reimagining Space and Place in Postwar English Canadian Fiction (Montreal: McGill-Queen’s University Press, 2022)
Category: Reviews
Book Review: The Canadian Conversation: A Polish journalist’s perspective // Literary Review of Canada
Review of Joanna-Gierak Onoszko, 27 śmierci Toby’ego Obeda [The 27 Deaths of Toby Obed] (Warsaw: Dowody na istnienie, 2019)
Book Review: Race and Modern Architecture // Canadian Architect
Review of Irene Cheng, Charles L. Davis II, and Mabel O. Wilson, eds., Race and Modern Architecture: A Critical History from the Enlightenment to the Present (Pittsburgh: University of Pittsburgh Press, 2020)
Exhibition Review: Architecture Itself and Other Postmodernist Myths // Archined
This exhibition at the Canadian Centre for Architecture proposes a timely rereading of postmodernism that moves beyond the period’s self-generated theories, stylistic commonplaces, and images.
Constructing the Image of a Nation // The Site Magazine
Questions of agency, land rights, and culture arose again and again in the McCord’s retrospective on nineteenth-century photographer William Notman, yet neither Notman’s work nor the exhibition framing it provided any easy answers.
Exchange Centre // Canadian Architect
As a gateway building, Lazaridis Hall is dramatic yet effortless, distinguishing itself from its surroundings and creating visual openness with continuous glazing at grade.
Exhibition Review: Architecture as Evidence/La preuve par l’Architecture // SEQUITUR
The fragments of this exhibition add up to an archive that attempts to answer a question: without the witness, how do we determine truth?
On Making Art that Makes Itself // The Community Edition
The ambiguity of nets, curtains, veils, drapes—means of concealing that can also reveal—permeates the large-scale works by Barbara Hobot on exhibit at the Kitchener-Waterloo Art Gallery (KWAG).
The Hambly House: Moderne Improvements // Canadian Architect
Nestled amongst the 1920s homes of a leafy neighbourhood in Hamilton, Hambly House seems to sail past the half-timbering, faux-stone cladding, and steeply pitched roofs of its neighbours.
Review: Shirin Neshat: Soliloquy // C Magazine
Viewers become mediators, with the series of scenes on each screen flowing not past, but through this audience – asking them to act as witnesses to the visual dialogue.
Magdalena Miłosz 